University of San Francisco's Student-Run Literary Magazine
by Marsha Solomon Marsha Solomon's works “From Rhythm to Form” utilize jewel-like colors, the variation of opacity—from soft washes to thick strokes of impasto—and positive and negative spaces to create a dynamic image, born from nature, emotion and creative force. Solomon's work has been the subject of many solo exhibitions nationally and internationally.
by Tendai Rinos Mwanaka Tendai Rinos Mwanaka is a Zimbabwean publisher, editor, mentor, thinker, literary artist, visual artist and musical artist with 23 individual books and 25 edited books, 1 music album and several songs, and tens of paintings and artworks curated, published, produced, exhibited and published in at least 35 countries worldwide.
by Caitlin Upshall He called it the color of envy. The old tales say that it was once his color. His armies wore it while they conquered the world. But soon, the armies became the rebels, and the world grew smaller behind tall walls. The rebels used the color as the only mockery they could… Continue reading Remember Your Blue
by Clint King A spider was spinning a web in Self-Help, even after they sterilized the bookstore, leaving hardly a reader's fingerprint or dog ear folded down. She took my breath away; it was all the advice I ever needed to see this glorious climber lower and raise such a body over stacks of sob… Continue reading A Spider in the Bookstore
by Marsha Solomon Marsha Solomon's works “From Rhythm to Form” utilize jewel-like colors, the variation of opacity—from soft washes to thick strokes of impasto—and positive and negative spaces to create a dynamic image, born from nature, emotion and creative force. Solomon's work has been the subject of many solo exhibitions nationally and internationally.
by Tendai Rinos Mwanaka Tendai Rinos Mwanaka is a Zimbabwean publisher, editor, mentor, thinker, literary artist, visual artist and musical artist with 23 individual books and 25 edited books, 1 music album and several songs, and tens of paintings and artworks curated, published, produced, exhibited and published in at least 35 countries worldwide.
by Kirby Michael Wright Few read anymore, so engraving my poem on a marker is a waste. Buying a plot's pricey too. Cremation? A bargain if I catch a deal making an advanced purchase. Feed my ashes to that giant Norfolk with the ocean view. Pray for my soul during feeding? Forget it. Instead, play… Continue reading Final Request of a Poet
—Lorne Balfe, from The Last Man on the Moon by Maya Jacyszyn I've never pictured heaven with a front porch, or much of heaven really, but it comes to me now clearly. There are no clouds. Why do paintings always show clouds? And so much light? I suppose upward means clouds and light, but up… Continue reading Sitting on God’s Front Porch
by Hannah Mitchell He did not, probably, work with his own hands. A river-god, seated beneath an arch: Unconfined, unlimited, A chemical vessel. Remarkable hills at the foot of the rainbow (The most beautiful of all the colors, A delicate violet, a deep green) Gently exhaled, "We have our joys and sorrows in common." Narcissus… Continue reading The Promotion of Narcissus
by Ronald Walker Ronald Walker works in a painting style he terms "Suburban Primitive". This style combines his interest in the origins and functions of art along with life in the suburbs, which he views in both a physical and psychological manner. His work has been shown in 45 solo exhibits and numerous group shows… Continue reading In Search of a Rainbow
Ignatian Literary Magazine 