by Ashley Hardin
I’m sorry if you asked me a question and there was
no reply. I was in the middle of listening
to my invasive thoughts about a peculiar
conflict in front of me. One-third of my
grandparents’ circular ottoman was missing its
light brown leather top straight
down. This error had started to grow a
variation of thick and thin white, itchy, and dirty
strands of fuzz that grew up and at times
slanted towards the vintage television set.
The marshmallow section displaced the
living room, eagerly held my attention, and carried my
unsolicited thoughts. No rest, though I was tired,
hazel eyes wide and teary as I tried to forget
what I could see. Obnoxious strands of uneven
heights and widths wrapped tightly like a
narcissist screw and turned itself around my
orbitofrontal cortex, among other places of my brain
that I rather not mention—where communication thrived,
and forgiveness had yet to be laid. The screw—
set to turn right—engraved its dominant
message about the inevitable darker side of
normalization. Thoughts had to be listened to so
closure could be established, but I didn’t want to
listen.
Imagination—a luxury I grappled with next. I tried
to imagine I covered the non-circular error with a
brown crayon or brown wrapping paper—the good brand—
or a large pile of lightly roasted coffee grounds, but I
was a child—a child with an unnerved edge on a
world that used to swaddle me with modesty. I
was vulnerable, tired, so, so tired, and that
salty towards a complex system that fed off
thoughts as a way to communicate and predict the
future. I couldn’t question this as my dainty
mouth went dry because I cared too much about
objects that had no feelings.
No tools, no imagination left, I dissociated
compartments of my uptight brain, so
future seconds were alright. I thought about the
chicken nuggets I ate for lunch, how the warm meat
inflamed my gums due to soggy strands getting stuffed in
between two teeth I couldn’t wait to lose. I should have
flossed after the chicken I shouldn’t have eaten—
it was a chicken byproduct—I didn’t listen, but
it got hard to listen when I couldn’t focus. Hazel
eyes were a flight risk.
I found comfort in the stability,
the non-circular error growing fuzz, so I attempted to
find compromise in the displaced living room, where my
attention was held eagerly and my unsolicited thoughts
welcomed me home. I’m sorry if you asked me a question
and there was no reply. I couldn’t respond due to the useful
repetitive thoughts swarming my orbitofrontal cortex, among
other places of my brain that I rather not mention. I tried to
denounce the trigger. At times, I swore, my mind
was an angel.

Whirlwind
by J.C. Henderson
Ashley Hardin has a Bachelor of Arts Degree in Journalism and Public Relations from Madonna University. Her poetry will be published in The Journal of Undiscovered Poets and The Closed Eye Open in 2025.
J.C. Henderson was originally a medical biologist with a doctoral degree. In the last decade, her vocation has been dedicated to art and poetry, publishing both artworks and poetry in numerous art and literary magazines. She attended different art school programs and studied with individual artists. She has participated in a number of exhibitions over the past few years and has sold hundreds of her original paintings.